"Harry Potter and the Deathly Hallows," the seventh and final adventure in the Harry Potter film series, is a much-anticipated motion picture event to be told in two full-length parts.

Part 1 begins as Harry, Ron and Hermione set out on their perilous mission to track down and destroy the secret to Voldemort's immortality and destruction—the Horcruxes. On their own, without the guidance of their professors or the protection of Professor Dumbledore, the three friends must now rely on one another more than ever. But there are Dark Forces in their midst that threaten to tear them apart.

Meanwhile, the wizarding world has become a dangerous place for all enemies of the Dark Lord. The long-feared war has begun and Voldemort's Death Eaters seize control of the Ministry of Magic and even Hogwarts, terrorizing and arresting anyone who might oppose them. But the one prize they still seek is the one most valuable to Voldemort: Harry Potter. The Chosen One has become the hunted one as the Death Eaters search for Harry with orders to bring him to Voldemort...alive.

Harry's only hope is to find the Horcruxes before Voldemort finds him. But as he searches for clues, he uncovers an old and almost forgotten tale—the legend of the Deathly Hallows. And if the legend turns out to be true, it could give Voldemort the ultimate power he seeks.

Little does Harry know that his future has already been decided by his past when, on that fateful day, he became "the Boy Who Lived." No longer just a boy, Harry Potter is drawing ever closer to the task for which he has been preparing since the day he first stepped into Hogwarts: the ultimate battle with Voldemort.
"Harry Potter and the Deathly Hallows" is directed by David Yates, who also helmed the blockbusters "Harry Potter and the Order of the Phoenix" and "Harry Potter and the Half-Blood Prince." David Heyman, the producer of all of the Harry Potter films, produced the film, together with David Barron. Screenwriter Steve Kloves adapted the screenplay, based on the book by J.K. Rowling. Lionel Wigram is the executive producer.

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Genre: Comedy

Pemain : Tora Sudiro, Vincent Rompies, Pierre Andre, Sigi Wimala, Sissy Pricilia, Julia Ziegler, Acha Septriasa
Sutradara : Rako Prijanto
Penulis : Brij Katyal

Tian, Farid dan Sonny, tiga berandalan dari negara yang berbeda berkumpul di kota metropolis Jakarta. Mereka bertemu dalam kondisi tak memiliki uang dan tempat tinggal. Akhirnya ketiganya memutuskan untuk membantu satu sama lain dan persahabatan mereka pun dimulai

Mereka bertemu dengan tiga orang gadis, Kartika, Ratna dan Melati dan menjalian kasih. Kartika berhasil membantu Sonny mendapatkan pekerjaan di sebuah reality show sebagai pembawa acara. Sementara Farid sadar ia tidak akan keluar dari kehidupan sulitnya kecuali ia melakukan sesuatu yang besar. Lalu, Farid bersama Melati memiliki bisnis jual beli peti mati dan ia pun jatuh cinta pada Melati

Walaupun ketiga pria dan ketiga wanita itu kini bersahabat erat, Tian merasa gundah karena ia gagal dengan tujuan hidupnya, yaitu mencari kekasihnya, Suzanne. Apalagi ia merasa sudah menyelingkuhi Ratnadan takut RATNA patah hati jika ia berterus terang tentang dirinya yang tergila-gila pada Suzanne

Saat pengambilan gambar reality show dimulai, dimana Sonny harus melihat-lihat sebuah toko perhiasan yang terkenal, tiba-tiba petugas pajak menghampirinya dan memaksanya mengaku bahwa ia menyembunyikan perhiasan yang tak dilaporkan. Ternyata setelah pengambilan gambar selesai, berlin yang dimaksud benar-benar hilang dan polis menyatakan Sonny, Farid dan Tians ebagai tertuduh. Mereka mencoba membuktikan bahwa tuduhan tersebut tidak benar.

Apakah mereka berhasil keluar dari tuduhan tersebut? Apakah Tian berhasil bertemu dengan Suzanne?

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Ramya (Aming), cowok gemulai yang berprofesi sebagai instruktur salsa. Hidup Ramya berubah drastic saat bertemu dengan Sigi (Fahrani) cewek tomboy berprofesi sebagai anggota debt collector

Pertemuan Sigi dan Ramya terjadi saat Sigi dikejar anggota geng Piratez yangd ipimpin oleh Gery (Reza Rahadian), yang memang sudah lama geram melihat sepak terjang Sigi yang sering melaporkan kegiatan ilegalnya ke polisi

Saat Sigi terdesak ia ditolong Ramya yang sebenarnya enggak tau apa-apa

Sementara itu karena pusing selalu didesak kimpoi oleh ibunya, membuat Sigi akhirnya nekad memaksa Ramya menikah dengannya. Setelah menikah baru Ramya tahu profesi Sigiyang galak enggak pernah berubah

Ramya malah terseret dalam masalah Sigi yang mau dibunuh Torro, pimpinan gengnya. Torro ingin melenyapkan Sigi dengan memanfaatkan Gery. Ramya yang mulai jatuh cinta pada Sigi berusaha menolong Sigi meskipun seringkali kekonyolan Ramya membuat situasi makin kacau

Jenis Film :
Drama/comedy
Produser :
Koko Sunarso, Manoj Kumar Samtani
Produksi :
Pt Kanta Indah Film
Pemain :
Aming
Fahrani
Reza Rahadian
Nani Wijaya
Bogie Samudra
Bari Bintang
Sutradara :
Arie Aziz
Penulis :
Lingga Manna

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Jenis Film :
Drama
Produser :
Hashim Djojohadikusumo, Rob Allyn, Jeremy Stewart
Produksi :
Pt Media Desa Indonesia, Margate House
Homepage :
http://www.merahputihthefilm.com/
Pemain :
Lukman Sardi
Donny Alamsyah
Darius Sinathrya
Zumi Zola
Teuku Rifnu Wikana
Rahayu Saraswati
Sutradara :
Yadi Sugandi
Penulis :
Conor Allyn
Rob Allyn


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Directed by
James Cameron
Written by
James Cameron
Cast
Sam Worthington, Zoe Saldana, Stephen Lang, Michelle Rodriguez, and Sigourney Weaver
Studio
21 Century Fox
Genre
Science-Fiction
Official Site
www.avatarmovie.com
Release Date
December 18, 2009 (wide)



It has been 12 years since Cameron unleashed the phenomenon that was Titanic and real fans would have to look as far back as 1991's Terminator 2 for their last proper dose of his incredibly epic action (True Lies, while fun, really doesn't count). So the anticipation for Avatar has long since reached fever pitch and beyond.

Thankfully for the patient masses, Avatar has turned out to be the biggest and best event movie of the year, perhaps the decade. The story is pure Cameron simplicity – a paraplegic ex-marine is given a chance to walk again through the use of a unique alien body, called an Avatar. It is his job to gain the trust of the natives so that a greedy corporation can steal the precious metal from their lush moon. Jake's (Sam Worthington) crippled main character is the perfect point of contact for the audience – not only is he new to the visual delights of Pandora but his disability means that every moment in his Avatar body is one of glorious freedom from the confinement of his chair. When the Corporations intentions become more sinister, Jake must choose between his new found place with the natives and his own race and fight for what he believes in.

Avatar combines parts of Pocahontas and Braveheart with a liberal dose of Space Marines into an epic whole that takes nearly three full hours to unfold. We could criticise that length, the weak story and the hammy dialogue. We could attack its thinly-veiled ecological message or the frankly bizarre spirituality in its second half but honestly nothing can spoil the experience while you are enveloped in it. And a large part of that is down to the brilliant use of 3D – which is both subtle and incredibly effective. Til now, we have been making movies with 3D elements, Avatar is the first truly 3D film and might well prove to be one of the most significant things to happen to blockbuster film-making since Star Wars.

Cameron is also pushing the envelope with truly photo-real CG – something which has been promised for years but has finally been delivered with Avatar. The interactions of the characters with the environment is incredible and the detail on the faces of the motion-captured leads (Worthington and Star Trek's Zoe Saldana) bring them to life. You will believe totally in their performances, representing another quantum leap in tools which have rarely been used for anything other than spectacle.

Make no mistake, Avatar is an important film from a technical standpoint but it is also great entertainment. The world of Pandora is a stunning spectacle from scene to scene and as Jake learns more about the Na'vi the film approaches the kind of light hearted adventure story which has been absent from movie theatres for years. Then the final act explodes into tragedy and desperate action, with the final half hour a blistering life or death struggle that has to be seen to be disbelieved.

Over the coming days you will be hearing a lot about Avatar, and some of the critical reaction is bound to focus on its weaknesses in a bid to appear appropriately reserved and objective. But this is not a film to be dissected or examined, rather one to be experienced with a warm crowd, a great sound system, in 3D as you bask in the knowledge that the movie-making master is back!


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